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                             斷裂的記憶  

 

         回顧生活中的某些片刻,其實是虛無的,那些死掉的記憶像是壞軌般的磁區無法解讀,這或許是恍惚間的空白,也可能是打盹間的游離。類似的感受其實是極度抽象的,因此藉由這組作品,欲探討那些生命中消失的記憶。

 

         還記得高中時期經常在課堂上昏睡過去,醒來的時候已經是嬉鬧的下課時間,也因為對授課內容完全無任何印象,所以空虛感在那段時期格外深刻。隨著年紀越長,類似的感受就會越來越多,有時候自己會發覺對於某個事件的過程是失憶的,雖然親身參與那個過程,但卻怎麼也回想不起來。又或者對於在高速公路上的駕車經驗來說,某種程度也是處於時間的快轉模式,那很有可能只是發生在一個恍神或打盹間,當我們回過神來,卻怎樣也回想不起來剛剛所經歷過的,時間的消逝如同時間神偷開的一個玩笑...

 

        探究其原因,或許是因為資訊爆炸、生活壓力、過度解放或是高度科技化的生活等種種因素,造成了這些斷裂的記憶,時間與空間一直以來都是詭譎地拉鋸著,而那樣的灰色地帶是我所關切的,但似乎又是那麼難以捉摸。

 

         於是透過某個場域的取樣(如黑洞般的小空間、日冕般的微光影以及游移的時光切片),以一系列抽離的影像來類比這樣的生活經驗,企圖將私密性與普遍共通性的情緒連結,期望觸動更真實的感受。

 

                            Lost Memories

In fact, it is nihility that is equivalent to recollecting some moment in my life. The dead memories, like the broken tracks on the discs seem illegible. Maybe it is the absent-minded blank. Perhaps it is likely to be the distraction on dozing off. The similar feelings are extremely abstract. Accordingly, I intend to discuss about the vanishing memories in life by the works.

 

I am still able to recall that I was inclined to nod off in class on a regular basis in high school. When I woke up after class, due to the failure in keeping track of any clues of the class, I was tremendously impressed with the nihility in that period of time. With the age accumulated, the similar feelings are getting more and more. Sometimes, one may suffer from amnesia about the process of an incident. Although one may participate in it, he cannot recollect it at all. As far as driving on the freeway is concerned, to some extent, it is in the fast forward mode. It probably emerge from during a distraction or a nap. After becoming conscious, no matter how hard we make an attempt to recollect what we have experienced, we fail. The elapsing time seems like a joke which the thief of time makes. 

 

With a view to probing into the reason, perhaps the explosion of the information and the life pressure, the excessive liberation or the high-technology life and so on give rise to it, contributing to the inconsecutive memories. Time and space tend to battle cryptically. However, I am concerned about the grey area which is challenging to puzzle out.

 

As a result, I make a bid to connect the sentiments of privacy, universality and commonness together to trigger much more authentic feelings by selecting some venues, such as a small space like a black hole, a solar corona of micro light and the biopsy of time, which is photographed by a series of pictures to compare with this kind of life experience. 

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